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| Notice of Change March 1, 2012 is when the new Privacy Policy and Terms will come into effect. If you choose to keep using Google once the change occurs, you will be doing so under the new Privacy Policy and Terms of Service. Please do not reply to this email. Mail sent to this address cannot be answered. Also, never enter your Google Account password after following a link in an email or chat to an untrusted site. Instead, go directly to the site, such as mail.google.com or www.google.com/accounts. Google will never email you to ask for your password or other sensitive information. | ||||
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Merry Christmas from Baghdad!
Sail on the horizons gotta landfall rendezvous
Captain steers a well-known course, he steers straight & true
As he trims the sheets, he sings a song
He learned on boats and bars
Sailor spends his Christmas in a harbour 'neath the stars
He's traveled through the doldrums, typhoons and hurricanes
He's logged a million soggy miles with water on his brain
But Christmas is the season better suited for dry land
He'll tell some lies, meet some spies
And dance barefoot in the sand
The sailor spends his Christmas in a harbour on the hook
Caye con les, no work today, let's shell the ol' log book
The waterfront is reveling, the season has begun
The sailor spends his Christmas in a harbour having fun.
There's a party down at Le Selecte, music, rum and cheers
Faces in the shadows, God, I haven't seen for years
A mast & shroud fill with lights
'Neath the waning of the moon
They're an airy celebration in the realm of King Neptune.
Jesus was a fisherman who walked upon the sea
The North Pole is ocean's remote frozen balcony
The continents keep drifting but the children sing and play
'Cause nothing really matters, after all it's Christmas day
The sailor spends his Christmas in a harbour on the hook.
Vaye con les, no work today, he read it in a book
The waterfront is reveling, the season has begun
A sailor spends his Christmas in a harbour having fun...
Sometime in the morning
A simple thought may occur to you
And you'll hold her
And tell her all the things you never told her
Your love has shown me things
I never thought I could see
I didn't know it could be done so easily
Now I know you're where it is for me
Sometime in the evening
You're sitting there by the fireside
And she'll touch you
And you realize how much you never knew before
How much you couldn't see
You didn't know it could be done so easily
Now you know she's all a girl could be
Now, in her childlike eyes
You see the beauty there
You know it was always there
And you need no longer wear a disguise
Sometime in the morning
You'll just reach out, and she will be there
Close as the summer air
Sometime in the morning, she will be there
Sometime in the morning, she will be there
Sometime in the morning, she will be there...
Met my old lover in the grocery store
The snow was falling Christmas Eve
I stole behind her in the frozen foods
And I touched her on the sleeve
She didn't recognize the face at first
But then her eyes flew open wide
She went to hug me and she spilled her purse
And we laughed until we cried
We took her groceries to the checkout stand
The food was totalled up and bagged
We stood there lost in our embarrassment
As the conversation dragged
We went to have ourselves a drink or two
But couldn't find an open bar
We bought a six-pack at the liquor store
And we drank it in her car
We drank a toast to innocence
We drank a toast to now
And tried to reach beyond the emptiness
But neither one knew how
She said she'd married her an architect
Who kept her warm and safe and dry
She would have liked to say she loved the man
But she didn't like to lie
I said the years had been a friend to her
And that her eyes were still as blue
But in those eyes I wasn't sure if I saw
Doubt or gratitude
She said she saw me in the record stores
And that I must be doing well
I said the audience was heavenly
But the traveling was hell
We drank a toast to innocence
We drank a toast to now
And tried to reach beyond the emptiness
But neither one knew how
We drank a toast to innocence
We drank a toast to time
Reliving in our eloquence
Another 'auld lang syne'
The beer was empty and our tongues were tired
And running out of things to say
She gave a kiss to me as I got out
And I watched her drive away
Just for a moment I was back at school
And felt that old familiar pain
And as I turned to make my way back home
The snow turned into rain
The other night I took the long way home
Out past the old schoolyard
It's funny how you keep it all inside
Dreams they do die hard
I closed my eyes and I could see your face
Somewhere back in time
One summer night a million miles ago
Back when you were mine
Say yes, say no, say that I'm grabbing at shadows
But don't carve the words in stone
I know it's late
But can't you see I was only
Taking the long way home
Sometimes its easy to get all wrapped up
In trying to be free
And all those dreams I sailed away to find
Were right in front of me
Say yes, say no, say that I'm grabbing at shadows
But don't carve the words in stone
One of these days
You're gonna see I was only
Taking the long way home
Although the letters stopped many years ago
I'll show you even time could not keep this heart
from letting go
The other night I took the long way home
Out past the old schoolyard
It's funny how you keep it all inside
Dreams they do die hard
Say yes, say no, say that I'm grabbing at shadows
But don't leave me here all alone
One of these days
You're gonna see I was only
Taking the long way home
Say yes, say no
But don't leave me here all alone
One of these days
You're gonna see I was only
Taking the long way home
The Dutchman's not the kind of man
Who keeps his thumb jammed in the dam
That holds his dreams in,
But that's a secret that only Margaret knows.
When Amsterdam is golden in the summer,
Margaret brings him breakfast,
She believes him.
He thinks the tulips bloom beneath the snow.
He's mad as he can be, but Margaret only sees that sometimes,
Sometimes she sees her unborn children in his eyes.
Let us go to the banks of the ocean
Where the walls rise above the Zuider Zee.
Long ago, I used to be a young man
And dear Margaret remembers that for me.
The Dutchman still wears wooden shoes,
His cap and coat are patched with the love
That Margaret sewed there.
Sometimes he thinks he's still in Rotterdam.
And he watches the tug-boats down canals
An' calls out to them when he thinks he knows the Captain.
Till Margaret comes
To take him home again
Through unforgiving streets that trip him, though she holds his arm,
Sometimes he thinks he's alone and he calls her name.
Let us go to the banks of the ocean
Where the walls rise above the Zuider Zee.
Long ago, I used to be a young man
And dear Margaret remembers that for me.
The winters whirl the windmills 'round
She winds his muffler tighter
And they sit in the kitchen.
Some tea with whiskey keeps away the dew.
And he sees her for a moment, calls her name,
She makes the bed up singing some old love song,
A song Margaret learned
When it was very new.
He hums a line or two, they sing together in the dark.
The Dutchman falls asleep and Margaret blows the candle out.
Let us go to the banks of the ocean
Where the walls rise above the Zuider Zee.
Long ago, I used to be a young man
And dear Margaret remembers that for me.
I was thrown on the cobblestones, tossed at her feet
My fool's mouth was filled with the dust from the street
An out of work court jester with nowhere to go
And no need to speak, for she seemed to know
She sings the songs without words
Songs that sailors, and blind men, and beggars have heard
She knows more of love than the poets can say
And her eyes are for something that won't go away
This mad mocking town, and its dishonored guest
Disappeared in the colors that danced on her dress
She led me to safety in a forest of green
And showed my stale eyes some sights never seen
She sings the songs without words
Songs that sailors, and blind men, and beggars have heard
She knows more of love than the poets can say
And her eyes are for something that won't go away
She spins magic and moonlight in her meadows and streams
And seeks deep inside me and touches my dreams
The morning comes smiling and I laugh with no sound
And snuggle in silence and the sweet peace I've found
And she sings the songs without words
Songs that sailors, and blind men, and beggars have heard
She knows more of love than the poets can say
And her eyes are for something that won't go away
No they won't go away
Go away
Well, I hear you are a painter now
Though you're almost halfway through
You pulled a pallet knife, you cut away a wife
And you started something new
But it was not the strife of married life
That ordained what you would do
A quick look back through your history
Shows the same things goading you
It's just like you to try painting
Because you're color blind
Each time you conquer something
That's the time you change you're mind
And now your new preoccupations
Give you your handicap to start
Yes you're happiest when you're chasing clouds
With a halfway broken heart
Paint a picture of yourself
Let the images flash past
Don't weep on watercolors, Michael
Make this moment last
Paint the kid with restless eyes
Yeah, the way you looked back then
'Cause the man keeps getting frightened
When the boy's not born again
I remember how you led us
Back when we all were kids
And that fact that you were older
Made us copy what you did
The day you bought that cheap guitar
We all fell into line
We got hooked on music
But you drifted off in time
So, I can see you at your easel
Splay legged there you stand
And your eyes are darting back and forth
Brush flashing in your hand
You're reaching always for that dream
You need to make you real
Leaning in a heavy wind
That no one else can feel
The old lady on the park bench
In the park with just one tree
Was there from the very first day
That you were part of me
It seemed like she'd been sitting there
Since 1000 B.C.
And you said, "She is as permanent
As anything can be."
From that first day
We were three
The old lady and you and me
You sat there in the window
You were looking 'cross the street
You said, "The birds and the old lady
Yet the same bread crumbs they eat."
I could not get you back to bed
'Till you took them both a treat
And I learned that you were twice as stubborn
As you could be sweet
From that first day
We were three
The old lady and you and me
Do you remember that summer rain storm
On the day that you moved in
I was caught in the excitement
Of what was to begin
Well, you disappeared for a little while
And when I asked you where you'd been
You said you'd lent the old lady my new umbrella
Then you gave me that wicked grin
From that first day
We were three
The old lady and you and me
Yes on March 21st the first day of Spring
The old lady would be there
Spend all the days of summer
Then she'd disappear somewhere
Where she spent her falls and her winters, babe
No one was aware
But you were the first to wonder
Yeah, you were the first to care
It was three years we were together
The old lady held that spot
Through the nights when life was wonderful
Through the days when it was not
And the times we were in trouble
In a way we sometimes got
Just knowing that she was out there
Meant we gave it just one more shot
From that first day
We were three
The old lady and you and me
The old sailor sat at the window seat
So he could watch as the ships went by
And he drank from a glass that was always filled
For the rest of us would buy.
And he would tell us tales about the ships that sailed
When he was young and strong.
And when he thought we'd heard enough of his words
He'd break into this song.
Dee dee dee dah dah dah dee dee dee dah dah
Dah dah dee dee dee dum.
Each and every day he'd spend this way
Until the stroke of four
When a woman as rough as a dockside tough
Came bursting through the door.
She'd stalk up to that sailor
And he'd shrink to the size of a pin.
And she'd curse and shout and as she hauled him out
He'd say with a sheepish grin:
I've sailed the southern oceans
And the stormy northern sea,
But now that me sailin's over, me boys,
It's harbor time for me.
I know you call us Salt and Pepper,
For an old salt I may be,
But though she may be pepper to you, me boys,
She's sweet as sugar to me.
Dee dee dee dah dah dah dee dee dee dah dah
Dah dah dee dee dee dum.
Yes, we called them Salt and Pepper,
For that's the way she was
And it seemed she got as least as hot
As fresh red pepper does.
And a bunch of the boys made offers
To protect him from her wrath,
But each and every time, he would decline,
Declaring with a laugh:
I've sailed the southern oceans
And the stormy northern sea,
But now that me sailin's over, me boys,
It's harbor time for me.
I know you call us Salt and Pepper,
For an old salt I may be,
But though she may be pepper to you, me boys,
She's sweet as sugar to me.
Dee dee dee dah dah dah dee dee dee dah dah
Dah dah dee dee dee dum.
I've had my body broken,
Not drowned, but parched bone-dry.
I've heard my name be spoken,
I've spit in the Devil's eye.
The sea once was my mistress,
Now Pepper's replaced her.
But just another captain,
Like my tough old captains were.
And you can have your milquetoast ladies,
I'm made of old salt brine,
And the gal you saw had starch in her craw,
Not a lace instead of a spine.
Sure, the old girl can get tough at times,
But a sailor's what I've been,
And when a storm's about, you learn to ride it out,
So you can sail once again.
Of course I picked a rainy night
To try to find our past
The street lights all were flickering
The leaves were falling fast
I walked down the winding road
Looked up through the trees
And I saw the corner window
That you once shared with me
It was Old College Avenue
And in the time of having you
I remember it as if it were today
The tiny room and the single bed
Though the tangled trails of time
Have led us far astray
The membrance seems to stay
And through all the roads
That led me on
And through all the years
That you've been gone
I have found that it would never go away
It was Old College Avenue
And in the time of having you
I remember it as if it were today
That fall turned into winter
The winter into spring
And all the while, you led me through
The sweet awakening
But summer never came that year
It's what you went to find
And you took my future with you
And you left your past behind
It was Old College Avenue
And in the time of having you
I remember it as if it were today
The tiny room and the single bed
Though the tangled trails of time
Have led us far astray
The membrance seems to stay
And through all the roads
That led me on
And through all the years
that you've been gone
I have found that it would never go away
It was Old College Avenue
And in the time of having you
I remember it as if it were today
I remember you
As if it were today
Smitty dreams
He's a child to the end
What a joy
When you are your best friend
The world's such a toy
If you just stay a boy
You just spin it again and again
Smitty flies
With no use for disguise
Just escapes
Using mirrors and capes
And the words do the trick
There is no bigger kick
Than just rhyming again and again
Sound of the low tide
The smell of the rain
Traveling' alone
On my boat and my plane
Take it all in
It's as big as it seems
Count all your blessings
Remember your dreams
Smitty stares
Towards the bright Pleiades
It's so strange
What his distant eye sees
Who knows why you start
Rediscovering your heart
But you do it again and again
Sound of the low tide
Smell of the rain
Traveling alone
On my boat and my plane
Take it all in
It's as big as it seems
Count all your blessings
Remember your dreams
Smitty stares
Towards the bright Pleiades
It's so strange
What his distant eye sees
Who knows why you start
Rediscovering your heart
You just do it again and again
The world's still a toy
If you'll just stay a boy
And that's why Smitty dreams.
They shall not return to us, the strong men coldly slain
In sight of help denied from day to day:
But the men who edged their agonies and chid them in their pain,
Are they too strong and wise to put away?
Our dead shall not return to us while Day and Night divide—
Never while the bars of sunset hold.
But the idle-minded overlings who quibbled while they died,
Shall they thrust for high employments as of old?
Shall we only threaten and be angry for an hour?
When the storm is ended shall we find
How softly but how swiftly they have sidled back to power
By the favour and contrivance of their kind?
Even while they soothe us, while they promise large amends,
Even while they make a show of fear,
Do they call upon their debtors, and take council with their friends,
To confirm and re-establish each career?
Their lives cannot repay us—their death could not undo—
The shame that they have laid upon our race.
But the slothfulness that wasted and the arrogance that slew,
Shall we leave it unabated in its place?
-- Rudyard Kipling (1917)
On a good day, he sells more than $1,000 worth of carpets, gold jewelry, ornate copper bowls and brass vases.
His success is thanks to a customer base with disposable cash and few opportunities to spend it. Mohammed, 45, is one of several dozen Iraqi vendors who run souvenir shops inside Baghdad's Green Zone.
The Green Zone is a 4-square mile, heavily fortified compound that is home to about 5,000 troops, American diplomats and civilian contractors. About 10,000 Iraqis live inside the area. It's a city-within-a-city, complete with restaurants, cafes and cinemas.
The Iraqi bazaar, where Mohammed works, is part of a shopping center operated by the Army & Air Force Exchange Service, better known as the PX. The courtyard mall also features a Burger King, Subway and even a car dealership.
Many American diplomats and officers rarely get outside the protected Green Zone. And on occasions when they do, there is no opportunity to stop and visit shops. So the PX brought the Iraqi merchants to the base.
Mohammed says he was recruited by American troops who paid a visit to his family's antique shop in Baghdad's Karrada district.
"There are no foreigners and few Iraqis shopping for antiques at our downtown store. But here, business is much, much better," says Mohammed, whose shop specializes in carpets and rugs that range from $150 to $7,000.
"Most of my customers are U.S. Embassy officials and military officers," he says.
Navy Lt. Cmdr. Tom Thygesen was shopping recently for rugs for his wife and mother-in-law. "I wish we could go out and shop among the populous if it weren't so disruptive and dangerous," Thygesen says. "Unfortunately, this is one of the few ways we can really interact with local Iraqis. They've got really nice quality stuff for decent prices. And it's mutually beneficial. It's nice to be able to help these guys," the Chicago native says.
Iraqi vendors undergo thorough background checks before they are permitted to set up shop in the Green Zone.
Vendor Fadhil Sinheir, 36, got his job four months ago through the recommendation of a friend who was already working in the bazaar. Sinheir couldn't be happier.
"Sales are up right now because everyone is buying Christmas gifts for their children and families," says Sinheir, whose stall sells humorous stickers, patches and worthless currency notes from the Saddam Hussein era.
His most popular item is a $15 beach towel that reads, "Caution: Stay 100 meters back or you will be shot" in English and Arabic. It's a parody of a sign often posted on U.S. military vehicles and warns that "deadly force is authorized" if orders to keep a distance are not followed.
Abbas Subhi, who runs a tobacco and trinket shop in the bazaar, says his most popular items are hookahs, tea sets and antiques — "anything related to Iraqi culture."
He complains that his sales are falling because of growing competition.
"They are opening Iraqi bazaars all over this base and at other bases in Iraq. Our sales have been down this month," says Subhi, 26.
In addition to submitting to background checks, Iraqi vendors must pay a percentage of the sales — 10% to 25% — to the Army and Air Force Exchange Service, which in turn uses the money to fund entertainment and recreation programs for soldiers.
Like most Iraqis who work on U.S. bases, the bazaar vendors worry about being targeted by extremists. "Because of where I work, it is very easy to get killed," says Ammar Dexin, 26.
It's not simple, getting to Baghdad. To start, you wait it out for 36 hours, minimum, in Kuwait's phantom outpost. Then, once the pixie dust has been spread over your passport, and all the proper paper has been pushed, you pack your bags, head over to the makeshift flight terminal... and get ready to be treated like cargo yourself.
Gear and grunts alike are carried up to Iraq by barrel-throated, turbo-propped C-130s. First us people file into flight "Chrome 34," sandwiching knee-to-knee in two sets of rows. We face the sides of the plane, staring at the padded blankets and exposed wires that line the interior. To my left is a blond corporal, headed up to Iraq for the first time. He's worried he won't see enough action in his new post, near Baghdad's Green Zone. His sergeant and captain – a dead ringer for Liev Schriber – were each hit by IEDs twice during their last tour. "The quieter, the better," Liev says, staring at the ceiling.
Then, slowly, the pallets of equipment are brought aboard. A "loadmaster," wearing a khaki jumpsuit and on oversized black helmet, directs. And then we wait, as the combination of body heat and Kuwaiti sun turn the C-130 into an oven. We sweat like bad sausage. I'm on the edge of a netted "row," with only half a flimsy butt-cheek hanging off. It goes numb.
Finally, the props begin to mmspin. Their roar engulfs all other sound. And we take off. For eleven minutes. Then, we're back at Kuwait commercial airport – to pick up "a couple of generals," the rumor goes. After an hour wait, it turns out to be Bing West, the writer and former Pentagon official.
Finally, we roar back off of the tarmac. It's not long before everybody passes out, me included.
When I come to, the plane is gently rocking. Nothing awful – especially given the Baghdad run's demon reputation. Even a wimp like me, who grips armrests at the slightest turbulence, isn't bothered. I open up "A Feast for Crows," the latest George R.R. Martin geek opus.
Then the loadmaster straps on night vision goggles. And the lights go out.
We spin – first chest-first, then counterclockwise, sending knees above shoulders. I could swear flying perpendicular to the ground. We straighten out. Then we drop, fast and flat. I squeeze the netting beneath me until we stabilize. I exhale, and tell myself it's nothing too bad. Suddenly, our nose dips. We head for the ground, screaming, like we've lost power. Then, just as quickly, we change directions, and shoot back up.
The tilt-a-whirl continues for what I'm guessing was ten more minutes – but what felt like a hundred. Then it's once more with the drop-nose routine, until we finally scrape the ground. Welcome to Baghdad.
I run out, grab my bags, and dash for a shuttle bus to take me across the massive U.S. military base that rings the airport here. That bus drops me off at a second shuttle stop, which is supposed to bring me down to the Green Zone. When I first got to the airport terminal in Kuwait, at quarter-to-four, I was under the impression that bus left at eight PM. But now that I've shown up -- at eleven thirty – no one will tell me what time it leaves. Security concerns, I'm told. Keep the bad guys guessing.
Finally, it – or, rather, they – arrive: a team of five, heavily-reinforced, armored-up Rhino buses. They look like jails on wheels. I can't tell you much about the drive – I was passed out the whole time. But I woke up in the middle of the Green Zone.
Now, watching TV, you might get the impressions that this is some little, walled-up compound, with a single ring of defenses. Not so. There are checkpoints, everywhere. During the four-minute ride from the Rhino stop to the press center, IDs must've been demanded a half-dozen times. The center itself is a former parking garage ("Hey, at least you got two feet of concrete overhead," quips one Marine). To enter, you have to prove your identity on at least five more occasions.
Then, us reporters need to be issued IDs. Which means getting a scan of your index finger, and a having a standard, passport-style picture taken. At two-thirty in the morning, it took seven tries to get a shot where I didn't look stoned out of my mind. After that, they take scans of both your irises. Five more headshots – for the facial recognition software. And scans of all ten fingerprints.
Finally, I'm approved as an accredited member of the press in Iraq. Just that easy.
Wake up, my love, beneath the midday sun,
Alone, once more alone,
This travelin' boy was only passing through,
But he will always think of you.
One night of love beside a strange young smile,
As warm as I have known,
A travelin' boy and only passing through,
But one who'll always think of you.
Take my place out on the road again,
I must do what I must do,
Yes, I know we were lovers but a drifter discovers...
A travelin' boy and only passing through,
But one who'll always think of you.
Take my place out on the road again,
I must do what I must do,
Yes, I know we were lovers but a drifter discovers
That a perfect love won't always last forever.
I won't say that I'll be back again
'Cause time alone will tell,
So no good-byes for one just passing through,
But one who'll always think of you.
-- no good-byes
I took a walk around the yard
I dug the flowers till it got too hard
Smoked my first pack of cigarettes today
Then I went down, down to Lucy's old cafe
I put a half a case away
Took a sleeping pill and I tried to watch TV
But you know baby, the leading lady
Looked too much like you for the likes of me
And I woke up crying in my sleep
I was talking to your pillow
And I reached out to touch your hand
And knocked the phone off the night stand
An the operator said "Can I help you please?"
And I said "No thanks baby, tonight there ain't no help for me,
You know I just had a bad dream."
That's all that's wrong with me
You see I just had a bad dream.
Went out to loosen up the car
Somehow I wound up at the Rainbow Bar
I had a scotch and soda on the run
But I didn't get too far.
I ran down some friends I used to know,
I dragged them out to see the show
I ran myself a bath and I tried to read your book
But you know baby, this time it just didn't seem
Worth all the time it took
And I woke up crying in my sleep
I was talking to your pillow
And I reached out to touch your hand
And knocked the phone off the night stand
An the operator said "Can I help you please?"
And I said "No thanks baby, tonight there ain't no help for me,
You know I just had a bad dream."
That's all that's wrong with me
You see I just had a bad dream.
I've learned that you can't hide a piece of broccoli in a glass of milk ......Age 7
I've learned that when I wave to people in the country, they stop what they are doing and wave back .......Age 9
I've learned that just when I get my room the way I like it, Mom makes me clean it up ......Age 13
I've learned that if you want to cheer yourself up, you should try cheering someone else up ......Age 14
I've learned that although it's hard to admit it, I'm secretly glad my parents are strict with me ........Age 15
I've learned that silent company is often more healing than words of advice .......Age 24
I've learned that brushing my child's hair is one of life's great pleasures .....Age 26
I've learned that wherever I go, the world's worst drivers have followed me there....... Age 29
I've learned that if someone says something unkind about me, I must live so that no one will believe it .......Age 39
I've learned that there are people who love you dearly but just don't know how to show it ..... Age 41
I've learned that you can make some one's day by simply sending them a little card .......Age 44
I've learned that the greater a person's sense of guilt, the greater his need to cast blame on others .....Age 46
I've learned that children and grandparents are natural allies ..... Age 47
I've learned that singing "Amazing Grace" can lift my spirits for hours .....Age 49
I've learned that motel mattresses are better on the side away from the phone ......Age 50
I've learned that you can tell a lot about a man by the way he handles these three things: a rainy day, lost luggage, and tangled Christmas tree lights ......Age 51
I've learned that keeping a vegetable garden is worth a medicine cabinet full of pills .......Age 52
I've learned that regardless of your relationship with your parents, you miss them terribly after they die .....Age 53
I've learned that making a living is not the same thing as making a life ......Age 58
I've learned that if you want to do something positive for your children, try to improve your marriage ......Age 61
I've learned that life sometimes gives you a second chance ...Age 62
I've learned that you shouldn't go through life with a catchers mitt on both hands. You need to be able to throw something back....Age 64
I've learned that if you pursue happiness, it will elude you. But if you focus on your family, the needs of others, your work, meeting new people, and doing the very best you can, happiness will find you.......Age 65
I've learned that whenever I decide something with kindness, I usually make the right decision.......Age 66
I've learned that everyone can use a prayer ......Age 72
I've learned that it pays to believe in miracles. And to tell the truth, I've seen several ........Age 73
I've learned that even when I have pains, I don't have to be one ......Age 82
I've learned that every day you should reach out and touch someone. People love that human touch -- holding hands, a warm hug, or just a friendly pat on the back .....Age 85
I've learned that I still have a lot to learn ......Age 92